There's a lot to enjoy about The Komarovs. A fast pace, a larger-than-life plot, and a strong affection for pulp fiction style and substance all make this a fun, quick read. I was never quite sure when the story is set - it could be any time from 1850 to 1990 as far as I can tell - before mobile phones, but after the rise of freak shows and such entertainments.
While it's fun, the story does run into the limits of its medium and length: as a short ensemble piece, we never spend enough time with any of the characters to really get to know them. The most central character is Captain da Silva, who can see ghosts and perform necromancy, but even he barely gets enough time to grumble "I'm getting too old for this shit" (with a few Portuguese expressions thrown in for flavour) before he is embroiled in one action scene after another. It's obvious that there is more back story - this is not the first story about da Silva and his crew - but as a standalone story, the characters are not quite as fleshed out as one would like.
Aside from da Silva, each of the other viewpoint characters is a bit one dimensional. So we have Harris; the werewolf; Sabrina, the he-she (androgynous person); the Komarovs, the evil Siamese twins; Benjamin, the Negro; Zriny, the metre man and circus director, etc.
So, you may have noticed words like "he-she" and "Negro" in the previous paragraph...
|The image in my mind when I read "the Negro"
So, as long as you can ignore a somewhat un-PC narrative voice, and if you like 1940s style pulp fiction, The Komarovs is a pleasant enough diversion. I would, however, recommend finding the first of the da Silva stories and starting there, rather than starting with the Komarovs, which is apparently a sequel...